The political campaign for the vacated governorship of Hawaii brought Hawaii into the Second Great Depression with destroyed political careers, jailed politicians, and gutted political parties. The last man standing on Election Day was actually a woman. Mahana La’anui had first gained prominence by winning the Miss Hawaii competition, led numerous Hawaiian cultural remembrance organizations afterwards, and was a real life princess. Her family was one of the few that still traced its lineage back to the last Queen of Hawaii. She was attractive, an excellent public speaker, a proud proponent of Hawaii’s cultural history, and the last real option the voters had short of trying to start an entire new election campaign. No one had the stomach for that and she won with a landslide vote and an easy smile that disarmed every single one of her surviving political opponents. They would learn to regret that in the decades that followed.
The reduced tourism coming in from the mainland greatly affected the Hawaiian economy during the Second Great Depression, but it was not the locals’ primary concern. They had a local political crisis that was far more important to them. Having ousted one governor for high crimes against Hawaii, with prosecutors eagerly waiting to pounce on him with a legion of lawsuits that would easily total life in prison, they had to weather another campaign season to replace him. The leading candidates of the two dominant parties of the time led vitriolic campaigns accusing each other of everything from being idiots to traitors. Then the press began reporting that the investigation into the ex-governor’s participation in under-age sex rings had expanded to their circles as well. That set off a feeding frenzy in the competing news services that went further into the gutter and effectively destroyed their campaigns. It was a divisive time for Hawaii.
I grew up watching the Charlton Heston Midway, complete with the old shaky newfilm-like airplane action, and always loved it. So when the new Midway came out, I quickly bought the old one on DVD (or possibly Blu Ray, but what’s the difference?) and watched it to refresh my memory. Yes, it suffered from some bad acting, and there were times when the love story was painful. Because of the acting, not the story. But it really was the way a generation has grown up seeing that battle.
The new Midway I think is a reflection of our new world, and fits it as well as the old Midway fit its time. We live in a world where children are not taught our history in school, so a movie about Midway really must build the story up for it to make sense. So of course they start with a diplomatic luncheon before the war to show tensions are on the rise. Then we see the attack on Pearl Harbor, and the American response. The Doolittle Raid. The Coral Sea. We see these in scattershot bullet points in what feels like maybe a half hour at most and cement assembled characters in our minds.
Yamamoto is a genius and a patriot. Perhaps the best ally and worst enemy America has at the same time. William “Bull” Halsey is a dirt grubbing grunt willing to charge into overwhelming odds if that’s what it takes to blunt the Japanese offensive. Dick Best is an amazing pilot in a dive bomber who can do things with his plane that shouldn’t be possible. And that is the secret to the film. It is an ensemble cast full of major actors playing real people that truly existed and trying to bring them to life for all of us to see.
This isn’t a documentary. It’s a Hollywood film, even if put together off Hollywood on a shoestring budget, and so it gets things wrong. Some insignias aren’t accurate, we see a jeep only deployed in England in Hawaii, and some color schemes show up out of real timeline. And some things are more dramatic than they were in real life. Not saying they weren’t scary here, but that in a Hollywood it has to LOOK scarier, and more dramatic than real life because we’ve been raised to expect it in our big budget spectaculars. It is a movie, made to show us a story, and it does so in spectacular fashion.
What is that movie? It is the story of Dick Best and the United States fleet carrier USS Enterprise, with a smattering side-story of Layton and Nimitz at Pearl Harbor trying to get their fleets to the right places with the right intelligence to stop the Japanese. A few brilliant scenes show them just waiting and hoping they got it right. The leaders and intelligence pukes knowing they’ve done everything they can, hoping it was enough, and knowing they’ll never forgive themselves if they didn’t do everything they could. The actors nailed those scenes well.
All while Dick Best and the USS Enterprise take their tour of the Pacific Ocean from Pearl Harbor to the outskirts of Japanese waters, and all the way down to the Coral Sea. We see men die in training accidents and combat, in fluke failures, and crash landings. And then we travel to Midway for the showdown that will determine this phase of the war. The battle hardened and trained squadrons of Hornet, Enterprise, and the recently damaged Yorktown fly beside fresh squadrons shipped into Midway to fight the unstoppable juggernaut that is Japan.
And then we see the Battle of Midway unfold in typical Hollywood, bigger than life, fashion. Though something to consider is that this is the story of Dick Best and Enterprise. The dive bombers and torpedo bombers that attacked the Japanese fleet. We don’t see the fighters that run cover for them. Or the fighters that defend Midway and the carriers. This is a movie about the brave bomber pilots that fought through flak and enemy fighters in an effort to blow up the Japanese carriers that threatened their homes. And while not always historically accurate, it tells their stories well.
It is a beautiful lie that tells the story of a great and terrible battle better than most movies do. Imagine the spectacle of Independence Day crossed with World War II Midway, and you’ll get a good idea of what this movie is like. It is a good and enjoyable movie and I recommend it.
I give it two bombs, making some really fine explosions that rise up into the sky.
The Second Great Depression was not as great an issue in Hawaii as it was in other areas of America. Make no mistake that there were hardships, but the Hawaiians had a far more important issue to deal with while the Federal Government on the other side of the world was losing its hold on reality. The governor of Hawaii was a crook. And not merely the garden-variety corrupt politician that voters had long since become accustomed to. He was crooked. He took bribes before handing out lucrative government contracts. And if a company didn’t have one of his children on their board of directors they never got the premium contracts. Banks gave his family members generous loans or were audited. He fired prosecutors investigating companies that avoided safety rules to the detriment of hundreds of thousands of people, and women and children all over the islands feared his creepy touching. His crimes against the people of Hawaii were legion, and they actually voted him out in an overwhelming no-confidence vote that left them far more concerned about who would succeed him, than whatever it was the corrupt politicians in Washington DC were crying about.
The Star Kingdom of Hawaii is a rare example of an actual, working monarchy in the modern day. The native population had never forgotten the overthrow of their historical monarchy in the later 1800s, but also never had the power to take their sovereignty back. The American garrison could not be defeated by any force of arms the locals could raise, and as the years turned into decades and then over a century they did what they could to encourage America to reverse its actions. The American government eventually recognized the overthrow, and even began considered them for inclusion to the list of Indian Tribes. Then the Second Great Depression came upon us all, and politics on Hawaii changed as fundamentally as they did on the mainland.

Forge of War on Amazon
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Angel War on Amazon
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Wolfenheim Emergent on Amazon