The Hawaiian Crown Fund is an amazing venture started during the Second Great Depression. Mounting losses in tourism alarmed the citizens, which gave Governor Mahana the freedom to nationalize the old Crown Lands and levy monthly rents on the new tenants to make up the loss in external revenue. This money went into the Crown Fund, a portion of which was paid out on a monthly basis to every confirmed citizen of Hawaii to help them keep the lights on and food on their tables. The Crown Fund has expanded over the centuries to pay for basic medical care and other social services, and countless businesses owned by Hawaiian citizens found their start with low interest Crown Loans. Careful management helped it fund the creation of new islands and taller buildings, and the Palmyra Elevator reached orbit thanks to the Crown Fund. New colonies in the Solar System and beyond were started by monies earned by the Crown Lands, and the hearts of many of those colonies are Crown Lands in their own rights, the rents of which cycle back into the Crown Fund for the future generations of Hawaii and her colonies. Two things make the Crown Fund truly special in Hawaii. First, is that any benefit or dividend handed out from the Crown Fund is utterly and totally exempt from any tax assessors. And second, the Crown Fund is personally administered by the Hawaiian Head of State, not the legislature.
The Kingdom of Hawaii’s Crown Lands were confiscated during the overthrow of the last Queen, but the native Hawaiians never forgot. The various royal families and native rights groups fought in the courts and congress to return the lands, and found many allies. But while the American federal government eventually would pass a resolution specifically naming the overthrow illegal, the movement to actually return the lands never fully materialized until the Second Great Depression. Governor Mahana faced a sudden drop in tourism dollars that threatened to destabilize their entire economy, and the old Crown Lands had always been some of the richest and productive lands on the islands. They made a lot of money, and Governor Mahana wanted that money to go to the people of Hawaii. So she used her emergency powers to nationalize every acre of confirmed Crown Land, and required the new tenants to pay rent for the land that went into the new Crown Fund, which would be set aside to help the Hawaiians survive the economic chaos to come.
The political campaign for the vacated governorship of Hawaii brought Hawaii into the Second Great Depression with destroyed political careers, jailed politicians, and gutted political parties. The last man standing on Election Day was actually a woman. Mahana La’anui had first gained prominence by winning the Miss Hawaii competition, led numerous Hawaiian cultural remembrance organizations afterwards, and was a real life princess. Her family was one of the few that still traced its lineage back to the last Queen of Hawaii. She was attractive, an excellent public speaker, a proud proponent of Hawaii’s cultural history, and the last real option the voters had short of trying to start an entire new election campaign. No one had the stomach for that and she won with a landslide vote and an easy smile that disarmed every single one of her surviving political opponents. They would learn to regret that in the decades that followed.
The reduced tourism coming in from the mainland greatly affected the Hawaiian economy during the Second Great Depression, but it was not the locals’ primary concern. They had a local political crisis that was far more important to them. Having ousted one governor for high crimes against Hawaii, with prosecutors eagerly waiting to pounce on him with a legion of lawsuits that would easily total life in prison, they had to weather another campaign season to replace him. The leading candidates of the two dominant parties of the time led vitriolic campaigns accusing each other of everything from being idiots to traitors. Then the press began reporting that the investigation into the ex-governor’s participation in under-age sex rings had expanded to their circles as well. That set off a feeding frenzy in the competing news services that went further into the gutter and effectively destroyed their campaigns. It was a divisive time for Hawaii.
I grew up watching the Charlton Heston Midway, complete with the old shaky newfilm-like airplane action, and always loved it. So when the new Midway came out, I quickly bought the old one on DVD (or possibly Blu Ray, but what’s the difference?) and watched it to refresh my memory. Yes, it suffered from some bad acting, and there were times when the love story was painful. Because of the acting, not the story. But it really was the way a generation has grown up seeing that battle.
The new Midway I think is a reflection of our new world, and fits it as well as the old Midway fit its time. We live in a world where children are not taught our history in school, so a movie about Midway really must build the story up for it to make sense. So of course they start with a diplomatic luncheon before the war to show tensions are on the rise. Then we see the attack on Pearl Harbor, and the American response. The Doolittle Raid. The Coral Sea. We see these in scattershot bullet points in what feels like maybe a half hour at most and cement assembled characters in our minds.
Yamamoto is a genius and a patriot. Perhaps the best ally and worst enemy America has at the same time. William “Bull” Halsey is a dirt grubbing grunt willing to charge into overwhelming odds if that’s what it takes to blunt the Japanese offensive. Dick Best is an amazing pilot in a dive bomber who can do things with his plane that shouldn’t be possible. And that is the secret to the film. It is an ensemble cast full of major actors playing real people that truly existed and trying to bring them to life for all of us to see.
This isn’t a documentary. It’s a Hollywood film, even if put together off Hollywood on a shoestring budget, and so it gets things wrong. Some insignias aren’t accurate, we see a jeep only deployed in England in Hawaii, and some color schemes show up out of real timeline. And some things are more dramatic than they were in real life. Not saying they weren’t scary here, but that in a Hollywood it has to LOOK scarier, and more dramatic than real life because we’ve been raised to expect it in our big budget spectaculars. It is a movie, made to show us a story, and it does so in spectacular fashion.
What is that movie? It is the story of Dick Best and the United States fleet carrier USS Enterprise, with a smattering side-story of Layton and Nimitz at Pearl Harbor trying to get their fleets to the right places with the right intelligence to stop the Japanese. A few brilliant scenes show them just waiting and hoping they got it right. The leaders and intelligence pukes knowing they’ve done everything they can, hoping it was enough, and knowing they’ll never forgive themselves if they didn’t do everything they could. The actors nailed those scenes well.
All while Dick Best and the USS Enterprise take their tour of the Pacific Ocean from Pearl Harbor to the outskirts of Japanese waters, and all the way down to the Coral Sea. We see men die in training accidents and combat, in fluke failures, and crash landings. And then we travel to Midway for the showdown that will determine this phase of the war. The battle hardened and trained squadrons of Hornet, Enterprise, and the recently damaged Yorktown fly beside fresh squadrons shipped into Midway to fight the unstoppable juggernaut that is Japan.
And then we see the Battle of Midway unfold in typical Hollywood, bigger than life, fashion. Though something to consider is that this is the story of Dick Best and Enterprise. The dive bombers and torpedo bombers that attacked the Japanese fleet. We don’t see the fighters that run cover for them. Or the fighters that defend Midway and the carriers. This is a movie about the brave bomber pilots that fought through flak and enemy fighters in an effort to blow up the Japanese carriers that threatened their homes. And while not always historically accurate, it tells their stories well.
It is a beautiful lie that tells the story of a great and terrible battle better than most movies do. Imagine the spectacle of Independence Day crossed with World War II Midway, and you’ll get a good idea of what this movie is like. It is a good and enjoyable movie and I recommend it.
I give it two bombs, making some really fine explosions that rise up into the sky.

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Wolfenheim Emergent on Amazon