The Second Great Depression affected every military base across America differently. Marine Corps Air Station Yuma did not collapse into internal fighting. It did not suffer massive desertions. Yes, there were some, but Yuma’s fighting strength remained largely intact. The new President slashed their budget, though, and that cut their ability to train and deploy the expensive F-35Bs that were their primary striking power. So the base commander talked to his drill instructors about the Marine Corps unofficial motto. No. Not the one that probably just came to your mind. The “Every Marine is a Rifleman” motto. Knowing that idle hands makes for mischief, he ordered every Marine on base, starting with himself, placed on double physical training duty until the budget issues could be worked out. As you may imagine, his Marines did not love him for that. Though they did follow him onto the parade field every morning.
Marine Corps Air Station Yuma was the busiest air station in the United States Marine Corps when the Second Great Depression came upon us all. It sported excellent year-round flying conditions and thousands of acres of open terrain all round for conducting training missions or tests. The powerful F-35B Lightning fighters covered the Old Border as Marines from all over the nation passed through the command. As with most American bases of the time, most young officers spent their time training or providing aggressor forces to train others. They never expected to have to defend the base itself from ground attack. Everybody knew the Mexican military was smart enough not to start anything with America after all. They were right. Despite contemporary reports to the contrary, the Mexican military did not attack MCAS Yuma.

Mandatory Credit: Photo by Ralph Arvesen/Shutterstock (10302709b)
The Charlie Daniels Band – Charlie Daniels
The Charlie Daniels Band in concert at the HEB Center, Cedar Park, USA – 09 Jun 2019
I grew up listening to Charlie Daniels. Even before I started listening to Country Music, when I only listened to 80s pop rock, I knew who he was and knew his songs. He was one of those few artists who transcends the exact style of their music and is simply… a music star.
I will miss him. And I will never hear the song about a golden fiddle in Georgia the same way again.
Godspeed, Charlie Daniels.
I have finally seen Picard this weekend. The really short version is, that it is not like the classic Star Trek I and most fans grew up with. Some say this is a good thing. That Star Trek is growing up. I say that it started grown up. I prefer classic Trek, but this was not as bad as I expected. And as one of my friends said, the last two episodes are great classic Trek. Searching for new life, new civilizations, and going where no man has gone before. 🙂
The longer version is that the reason for the tonal change of this story is because of those who were focused on. All previous Star Trek shows focused on members of Star Fleet, those who volunteered to explore the galaxy and are the best of all of us. Picard focuses on the literal rejects of Star Fleet. Those who were kicked out, left, or were never good enough to join in the first place.
Picard spends eight hours tooling through the underbelly of Federation life, where we see body counts and a lack of respect for human life that even a Ferengi would be horrified of. I mean, if you kill them, they can’t buy your stuff, and there’s no profit in that. These eight hours of grunge lead up to two final hours of true classic Star Trek, that I wish we didn’t have to spend eight hours getting to.
In the days of classic Trek, the A story of Picard would have been a two-part episode, and with the right editing for flow and content, would probably be in the “best of Trek” episodic collections. It is a good story, the question and the idea that Trek follows and strives for.
Similarly, the B story would probably have been a two-part season finale/opener, or possibly even a feature film. Yes, that story is that powerful, held up by the rather good acting chops of a certain excellent actress, and with a proper final act would rival First Contact as the best of the Next Generation-era films. I’m not joking. It is a good story.
What I’m saying of course, is that they crammed four hours of storytelling into ten hours of show. And it shows in a number of places. Yes, some of the episodes would make for good single-part episodes with the right editing, but they are strictly unneeded for either main story. Yes, they would be nice to see, but they are primarily set piece episodes that put the story on hold to show off a nice or not-so-nice place. They would be good filler episodes, but the parts of them that support either main story could be cut down to minutes at most.
The final thing I will note is that we see just how jarring Kurtzman Trek is as opposed to the Trek we all grew up with. We see two fleets head off against each other in the final confrontation of Picard. In Trek as we know it, we would have seen dozens of starship classes. Nebulas, Galaxies, Sovereigns, Defiants, Excelsiors, and a dozen other Federation ships we’ve seen over the decades. We would see at least a half dozen different Romulan ships from their smallest scouts to their largest battle wagons. All ships we’ve seen doing battle on TNG, DS9, or VOY. Classic Trek would have mined the ship-class intellectual property that has been built into the series for decades and would have taken the opportunity to show off their ship porn to Star Trek fans of all ages.
Instead, Kurtzman Trek refuses to use ANY of those existing designs, and instead creates one Romulan battleship and one Federation battleship and sends hundreds of these duplicate starships to loom over each other and prepare for the big battle. Whether the reason is legal or choice, Kurtzman Trek NEVER uses the Star Trek ships we grew up with. And in the two cases I can think of where old designs ARE used, it is only after heavy editing to make them different enough that they are effectively different designs for what I presume are either copyright or licensing purposes.
In the end, Kurtzman Trek is NOT the Star Trek we grew up with, and it is most heavily notable in this TNG-era of story telling. And while Picard has promise and does have good story telling, that inability to link up with classic Trek in the most simple ways by showing other ships we know and love on the screen next to the new ones is a great disappointment.
I’m glad I watched Picard. I love the ending.
I just wish I hadn’t had to watch ten hours of Kurtzman Trek to get four hours of classic Trek story telling.
Cannon Air Force Base’s private little civil war was a vicious affair. Those moving to arrest the base commander and bring Cannon under the new President’s control were elite Special Forces. Those standing in their way included Rear Echelon Marginal Fighters who were almost as dangerous to their friends as those they were trying to stop. Multiple Special Forces teams joined them, but they were trying to catch up with teams already armed, armored, and on their way. Casualty rates skyrocketed as the battle raged on the ground, below ground, and in the air above the base. The fighting shattered most of Cannon’s teams, gutted their aircraft, and set the base itself on fire in dozens of locations. Only a single team and a handful of aircraft remained fully operational in the end, but they and the surviving base staff spread word of what happened throughout the military networks. That and their intention to support Texas. It was a chilling message for the entire American military.

Forge of War on Amazon
Angel Flight on Amazon
Angel Strike on Amazon
Angel War on Amazon
Wolfenheim Rising on Amazon
Wolfenheim Emergent on Amazon